The defined and realistic space of Euclidian geometry thus becomes an imaginary space in the spirit of the new design discipline – shaping the process or event. The hotel was designed as an interdisciplinary, synergic project whose structural part, and not the later application (that is, the part becoming a structure from the superstructure), as well as the artistic installation by Ivana Franke, entitled Room for Running Ghosts (in the hotel lobby reshaped according to the postulates of 1950s organic functionalism). Hotel Lone’s architecture leans on the topotecture of the landscape, that is, the architecture of the wind, according to the phrase by Toyo Ito denoting architecture designed in harmony with the location and the environment to be as little material as possible, almost invisible.
Architecture today is required to extend its scope, by the very definition of the profession, to other fields and disciplines its new role is to play a catalyst for social and cultural experiences and their exchange at international levels, experiences primarily disclosed in constant modifications of urban landscapes and structures.
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